The author examines the history of his electronic music research in five parts: research on sinusoidal sounds, the perception, the voice and phonetics, music and mathematics, the complexity and periodicity in electroacoustic music. Through these points, he studies the relationships between his synthesis techniques, his musical language and perception.
Expérimentations et prospections
Electroacoustic Music: Reflections and prospects. Bourges Academy. Bourges: Mnemosyne, 85-107.