After a short history of spatial use in music throughout the centuries, the author presents two of his works: the sound installation Solid and Inside the Eye of Silence for harpsichord and live electronics. He focuses on how he develops a modeling approach to Vitruvian (Roman Architect) concepts using MAX/MSP.
Recreating the Real, Realizing the Imaginary - A Composers Preoccupation with Acoustic Space
Godman, Rob
2004
eContact! 7(2).
Language: English