This paper presents a brief analysis of A Nocturne of Belgrade Spring (1999) by Srdjan Hofman. The author focuses on electronic aspects, in particular, the ways in which the computer is used during the compositional process, and as a device for live electronic performance.
Near and Far. A Nocturne of Belgrade Spring 1999 for Chamber Ensemble, Live Electronics and Audio Tape, by Srdjan Hofman
Cvejic, Bojana
2001
New Sound 17: 57-63.
Language: English