As part of the 1996 Berlin Festival of Experimental Music Inventionen, the GRM studio offered a number of concerts. Young composers were offered the possibility to work with the GRM's acousmonium gaining new experiences. Alongside a lengthy description of the acousmonium written by Nathalie Singer, Olga Neuwirth and Franz Martin Oblbrisch present their experiences with this loudspeaker orchestra.
A propos Acousmonium (On the Acousmonium)
Singer, Nathalie
1996
Positionen 29: 26-28.
Language: English