Assuming that perception works as a constant dialectic between sense-data and concept, this paper presents a perceptual analysis of J. C. Risset‘s Sud according to a conceptual framework based on a complementarity between intrinsic and extrinsic connotations in electroacoustic music.
A Perceptual Approach to the Analysis of J. C. Risset's Sud: Sound, structure and symbol
Ferreira, Giselle
1997
Organised Sound 2(2): 97-106.
Language: English