The natural tendency to relate sounds to supposed sources and causes, and to relate sounds to each other because they appear to have shared or associated origins. (Source - Denis Smalley (1994). Defining Timbre, Refining Timbre. Contemporary Music Review Vol. 10, Part 2. London: Harwood Academic Publishers.)

Tendance naturelle à associer les sons à leurs sources ou causes supposées et à mettre les sons en relation entre eux à cause de leurs origines proches. (Source - Denis Smalley (1994). "Defining Timbre, Refining Timbre". Contemporary Music Review Vol. 10, Part 2. London: Harwood Academic Publishers.)

Tendenza naturale ad associare i suoni alla loro fonte o causa supposta, e a mettere in relazione i suoni l'un all'altro in quanto accomunati dalla loro origine (Fonte - Denis Smalley (1994). Defining Timbre, Refining Timbre. Contemporary Music Review Vol. 10, Part 2. London: Harwood Academic Publishers.).

The natural tendency to relate sounds to supposed sources and causes, and to relate sounds to each other because they appear to have shared or associated origins. (Source - Denis Smalley (1994). Defining Timbre, Refining Timbre. Contemporary Music Review Vol. 10, Part 2. London: Harwood Academic Publishers.)

La tendencia natural a relacionar a los sonidos con supuestas fuentes y causas, y a relacionar a los sonidos entre ellos, cuando parecen tener orígenes compartidos o relacionados.

(Fuente: Denis Smalley (1994). Defining Timbre, Refining Timbre. Contemporary Music Review Vol. 10, Part 2. London: Harwood Academic Publishers)