Collective creation and the production of open and continuously evolving works are, according to the author, two of the major and more appealing artistic breakthroughs the Internet can offer to composers and creators in general. In this context, concepts such as authorship and copyright will necessarily have to evolve and adapt to a new reality. The author discusses an Internet project for real-time collective composition which has been used for the soundtrack of La Fura's play F@ust 3.0.@en
Faust Music On Line: (FMOL) An Approach to Real-Time Collective Composition on the Internet
Leonardo Music Journal 9: 5-12.