There are many excellent works for piano and tape; however, there have been an insufficient number of pianists widely performing these works. The purpose of this article is to critically analyse the rhythmic relationships between piano and tape, serving a pedagogical function for both composers and pianists in technical and aesthetic terms. Hopefully these techniques will encourage pianists to include music for piano and tape as part of their repertoire.
Developing a rhythmic performance practice in music for piano and tape
Ding, Shiau-Uen
2006
Organised Sound 11(3): 255-272.
Language: English