Transcontextuality

A term borrowed by Denis Smalley from literary/cultural theory (Linda Hutcheon (1985). Theory Of Parody. NY: Methuan) and applied to the semiotic analysis of electroacoustic music. It can be used as an aid to describing relationships between sounds formed through extrinsic meanings, as well as describing intrinsic/extrinsic relationships within contexts of works themselves.

Transcontextuality is a means of framing analysis of music based on sampling and recycling, as well as Soundscape compositions and Anecdotal compositions.

It is also a useful conceptual tool in attempting to describe what are sometimes loosely termed surrealist-like tendencies in certain electroacoustic works (notably, for example, those of Bernard Parmegiani).

The term Recontextualisation is also sometimes used.

Transcontextualité

Terme emprunté par Denis Smalley à la théorie littéraire/culturelle (Linda Hutcheon (1985). Theory Of Parody. NY: Methuan) et appliqué à l'analyse sémiotique de la musique électroacoustique. Il peut être utilisé afin de décrire les relations entre les sons contenant des significations extrinsèques aussi bien que pour décrire les relations intrinsèques/extrinsèques dans le contexte même des œuvres.

La transcontextualité permet ainsi de guider l'analyse de musiques utilisant les principes de l'échantillonnage et du recyclage aussi bien que les compositions de paysage sonore ou les œuvres anecdotiques.

C'est aussi un concept très utile pour tenter de décrire la tendance sur-réaliste de certaines œuvres électroacoustiques (par exemple et notamment les œuvres de Bernard Parmegiani).

Le terme re-contextualisation est également parfois utilisé.

Transcontestualità

Termine mutuato da Denis Smalley dalla teoria letteraria e culturale di (Linda Hutcheon (1985). Theory Of Parody. NY: Methuan) e applicato all'analisi semiotica della musica elettroacustica. Può essere utilizzato come aiuto alla rescrizione delle relazioni tra suoni che contengono significati estrinseci, come pure per descrivere le relazioni intrinseche-estrinseche nel contesto stesso delle opere.

La transcontestualità permette anche di guidare l'analisi della musica usando i principi del campionamento de del riciclaggio come pure nel caso della composizione di paesaggi sonori o di opere anedottiche.

È un termine utile per tentare di descrivere la tendenza surrealista di alcune opere elettroacustiche (per esempio quelle di Bernard Parmigiani). A volte viene utilizzato anche il termine Ri-contestualizzazione.

Transkontextualität

A term borrowed by Denis Smalley from literary/cultural theory (Linda Hutcheon (1985). Theory Of Parody. NY: Methuan) and applied to the semiotic analysis of electroacoustic music. It can be used as an aid to describing relationships between sounds formed through extrinsic meanings, as well as describing intrinsic/extrinsic relationships within contexts of works themselves.

Transcontextuality is a means of framing analysis of music based on sampling and recycling, as well as Soundscape compositions and Anecdotal compositions.

It is also a useful conceptual tool in attempting to describe what are sometimes loosely termed surrealist-like tendencies in certain electroacoustic works (notably, for example, those of Bernard Parmegiani).

The term Recontextualisation is also sometimes used.

Transcontextualidad

Un término tomado por Denis Smalley de la teoría literaria/cultural (Linda Hutcheon, 1985. Theory Of Parody. NY: Methuan) y aplicado al análisis semiótico de la música electroacústica. La transcontextualidad puede ser usada tanto como ayuda para describir relaciones entre sonidos formados a través de significados extrínsecos, así como para describir relaciones intrínsecas/extrínsecas dentro del contexto de las obras mismas.

La Transcontextualidad es un medio de enmarcar el análisis de la música basada en el muestreo (sampling) y el reciclado, así como las Composiciones de Paisajes Sonoros y las Composiciones Anecdóticas.

Es también una útil herramienta conceptual para describir tendencias (que pueden ser denominadas vagamente) surrealistas, en ciertas obras electroacústicas (por ejemplo, las de Bernard Parmegiani).

El término Recontextualización es también empleado en ciertas ocasiones.

References