The author explores the works of Jean-Claude Risset in order to analyse the role of the computer in musical processes. He discusses several of Risset's compositional approaches (auditory illusion, synthesis, perception and psychoacoustics) and analyses their musical use within his works.
Jean-Claude Risset et les nouvelles technologies musicales: l'ordinateur, maître-mot
Meston, Olivier
2003
New Sound 21: 87-94.
Language: English