In this paper, the author utilises his realisations of Alvin Lucier’s I’m Sitting in a Room and Karlheinz Stockhausen’s Mikrophonie I as case studies in support of his discussion concerning the creation of new, live versions of existing electroacoustic works.
Realizing Lucier and Stockhausen: Case Studies in Electroacoustic Performance Practice
Burns, Christopher
2001
International Computer Music Conference : 40-43.
Language: English