A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
Yavelow C. (1986) The Impact of MIDI upon Compositional Methodology
International Computer Music Conference : 21-27.
Yong K. (2006) Electroacoustic adaptation as a mode of survival: arranging Giacinto Scelsi’s Aitsi pour piano amplifée (1974) for piano and computer
Organised Sound 11(3): 243-254.
Yoshida M., Frisk H. (2005) New Communications Technology in the Context of Interactive Sound Art: an empirical analysis
Organised Sound 10(2): 121-127.
Young D., Fujinaga I. (2004) AoBachi: A New Interface for Japanese Drumming
International Conference on New Interfaces for Musical Expression : 23-26.
Young G. (1989) The Sackbut Blues: Hugh Le Caine Pioneer in Electronic Music
Ontario: National Museum of Science and Technology.
Young J. (1996) Imagining the Source: The Interplay of Realism and Abstraction in Electroacoustic Music
A Poetry of Reality. Contemporary Music Review 15(1-2): 73-93.
Young J. (2000) Letting the Ordinary Shine Through: British Acousmatic Music
Journal of Electroacoustic Music 13: 2-6.
Young J., Norris M. (2001) Half-heard Sounds in the Summer Air: Electroacoustic Music in Wellington and the South Island of New Zealand
Organised Sound 6(1): 21-28.
Young J. (2002) The Interaction of Sound Identities in Electroacoustic Music
International Computer Music Conference : 342-348.
Young J. (2004) Sound Morphology and the Articulation of Structure in Electroacoustic Music
Organised Sound 9(1): 7-14.
Young J. (2007) Reflections on sound image design in electroacoustic music
Organised Sound 12(1): 25-33.
Young M. (2006) Latent body-plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through technology
Contemporary Music Review 25: 81-92.
Young R. (2000) Roll Tape: Pioneer Spirits in Musique Concrète
Modulations: A History of Electronic Music. New York: Caipirinha, 9-19.
Young R. (2000) Interview: Pierre Henry
Modulations: A History of Electronic Music. New York: Caipirinha, 22-23.
Ystad S., Guillemain P., Kronland-Martinet R. (1997) Modelling of Natural Sounds by Time-frequency and Wavelet Representations
Organised Sound 2(3): 179-191.
Ystad S. (1999) De la facture informatique au jeu instrumental
Les nouveaux gestes de la musique. Marseille: Parenthèses, 111-120.
Yuasa J. (1987) The Shadow of Tape Music on Instrumental Music
Contemporary Music Review 1(2): 203-230.