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A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Iazzetta F. (1996) Formalization of Computer Music Interaction through a Semiotic Approach
Interface - Journal of New Music Research 25(3): 212-230.

Iazzetta F., Kon F. (1999) La música en Internet: ¿un sueño o una realidad (virtual)? (Internet music: A dream of (virtual) reality?)
Música y nuevas tecnologías: Perspectivas para el siglo XXI. Barcelona: L'Angelot.

Iazzetta F. (2000) Meaning in Musical Gesture
Trends in Gestural Control of Music. Paris: IRCAM, Centre Georges-Pompidou, 259-268.

Iddon M. (2006) On the entropy circuit: Brian Ferneyhough's Time and Motion Study II
Contemporary Music Review 25: 93-105.

Iges J. (2000) Soundscapes: A Historical Approach
eContact! 3(4).

Igoudin A. L. (1997) Impact of MIDI on Electroacoustic Art Music
International Computer Music Conference : 66-69.

Impett J. (1996) Projection and Interactivity of Musical Structures in Mirror-Rite
Organised Sound 1(3): 203-211.

Impett J. (2000) Situating the Invention in Interactive Music
Organised Sound 5(1): 27-34.

Isaacson L. M., Hiller L. A. (1959) Experimental Music: Composition with an Electronic Computer
Westport: Greenwood.

Iwatake T. (1994) An Interview with Barry Truax
Computer Music Journal 18(3): 17-24.

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