Name given to the genre within electroacoustic music that employs recognisable sounds more for their 'anecdotic' or narrative aspect than for their abstract potential. The first piece to be named thus ("Hétérozygote" by Luc Ferrari) was not the first anecdotic work. It was preceded by many of Schaeffer's compositions and the music of other composers. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.)

Nom donné au genre électroacoustique utilisant des sons reconnaissables plutôt pour leur aspect anecdotique ou narratif que pour leur potentiel abstrait. La première œuvre à porter ce son (Hétérozygote de Luc Ferrari) n'est pas la première musique anecdotique. En effet, elle a été précédée par de nombreuses œuvres de Pierre Schaeffer et d'autres compositeurs. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. Thèse de doctorat, Université d'East Anglia.)

Nome dato a quel genere elettroacustico che usa suoni riconoscibili per i loro aspetti aneddotici o narrativi piuttosto che per il loro potenziale astratto. La prima opera a portare questo nome (Hétérozygote di Luc Ferrari) non è stata in realtà la prima musica aneddotica. È stata preceduta infatti da numerose opere di PIerre Schaeffer e altri (Fonte - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.).

Name given to the genre within electroacoustic music that employs recognisable sounds more for their 'anecdotic' or narrative aspect than for their abstract potential. The first piece to be named thus ("Hétérozygote" by Luc Ferrari) was not the first anecdotic work. It was preceded by many of Schaeffer's compositions and the music of other composers. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.)

Nombre dado al género, dentro de la música electroacústica, que emplea sonidos reconocibles más por sus aspectos anecdóticos o narrativos que por su pontencial abstracto. La primera pieza que recibió esa denominación -"Hétérozygote", de Luc Ferrari- no fue la primera obra anecdótica. Fue precedida por muchas de las composiciones de Schaeffer y la música de otros compositores.

(Fuente: Rodolfo Caesar (1992). The Composition of Electroacoustic Music. Tesis de doctorado, University of East Anglia)