In this article, the author presents an overview of the history of the Groupe de Recherches Musicales (GRM) regarding their development of computer tools used by electroacoustic composers/performers.
Digital Sound and Music Transformation Environments: A Twenty-year Experiment at the “Groupe de Recherches Musicales”
Geslin, Yann
2002
Interface - Journal of New Music Research 31(2): 99-107.
Language: English