In this paper, the author notes that designers of new digital instruments must be careful in considering the dynamic relation between a player and an instrument, the extent to which the conceptual capabilities of the instruments suggest to their players new ways of thinking, interacting, organising, and performing new music. He presents a framework through which the possibilities and the diversity of music instruments as well as the possibilities and the expressive freedom of human music performers could be evaluated.
Digital Instruments and Players: Part I - Efficiency and Apprenticeship
Jordà , Sergi
2004
International Conference on New Interfaces for Musical Expression : 59-63.
Language: English