The author analyses several electroacoustic works of Iannis Xenakis (Concret PH, Analogique A-B, La Légende d'Eer, Mycenae-Alpha, Gendy301 and S709) with three models: of sound material, of musical articulation and of control structure. He demonstrates how Xenakis creates a theory of sound in his electroacoustic works in the same manner as his theory of music applied in his instrumental works.
Compositional Models in Xenakis's Electroacoustic Music
Di Scipio, Agostino
Perspective of New Music 36(2): 201-243.