Site Specific

Art work that is created in response to and intended to be experienced in a single geographical location, normally not that of a traditional performance venue.

Site Specific

Œuvre artistique créée et destinée pour être expérimentée dans un emplacement géographique ordinaire qui n'est habituellement pas destiné à la pratique de la performance.

Site Specific

Si dice di un'opera artistica creata e destinata ad essere esperita in un ambiente geografico specifico, solitamente diverso dai luoghi tradizionalmente pensati per l'esecuzione di musica o di altre forme d'arte.

Ortsspezifisch

Art work that is created in response to and intended to be experienced in a single geographical location, normally not that of a traditional performance venue.

Site Specific (Específica para un sitio)

Obra artística creada para ser presentada en un sitio geográfico específico que usualmente no es utilizado para esos fines.

References

Allick K. A., Mulder R. (1993) Skyharp: An Interactive Electroacoustic Instrument
Bandt R. (2004) The Listening Place: Alma Park’s Cross Cultural Voices
Barrett N. (2005) Adsonore
Birchfield D., Phillips K., Lorig D., Kidané A. (2006) Interactive Public Sound Art: A Case Study
Dunn D. (2001) Nature, Sound Art, and the Sacred
Föllmer G. (1999) Klangorganisation im öffentlichen Raum (Sound Organisations in Public Spaces)
Heon L. (2005) In Your Ear: hearing art in the twenty-first century
Klein G. (2003) From the Sound Installation to the Sound Situation: On my work transition - berlin - junction eine klangsituation
Kubisch C. (2002) Digital Arts' Black Sheep
La Motte-Haber H. d. (1999) Zwischen Performance und Installation (Between Performance and Installation)
Landy L. (1998) L'espace divisé vs. l'espace unifié (la separation est-elle en train de disparaître?)
Lane C., Parry N. (2005) The Memory Machine: sound and memory at the British Museum
Liverani M. (2004) Interpreting a Garden: A Sound environment in the park of Villa Caruso Lastra a Signa, Florence, Italy
Otondo F. (2006) Shaping sounds in York Minster
Pellarin L., Guglielmi M., Olsen J. M., Gregersen O., Böttcher N., Sarafin S. (2005) Connecting Strangers at a Train Station
Perloff N. (2004) Hearing Spaces: David Tudor's Collaboration on Sea Tails
Rudi J. (2005) ‘From a musical point of view, the world is musical at any given moment’: an interview with Bill Fontana
Siegfried W. (1999) same time - same place: orts- und zeitabhängige Kunstformen (site and time-dependent forms of art)