This article traces some of the author's own explorations in the use of 3-space for musical composition, examines the limitations of basing structuring methodologies primarily on functional psychoacoustic studies of hearing, and suggests alternative approaches based on an understanding of 3-space from the work of the perceptual psychologist James Gibson.
Space in Sound: Sound of Space
Worrall, David
1998
Organised Sound 3(2): 93-99.
Language: English