In this article, the author uses research from neuroscience, cognitive psychology, and neo-Darwinism to argue that there are no objective aspects in music. Pointing out fundamental flaws in the ability of a computer to emulate the workings of the brain through Artificial Intelligence programming, he addresses cultural issues concerning the survival of computer music.
How Objective is Music?
Milicevic, Mladen
1999
Journal of Electroacoustic Music 12: 34-38.
Language: English