How Objective is Music?

Milicevic, Mladen


Journal of Electroacoustic Music 12: 34-38.

Language: English

In this article, the author uses research from neuroscience, cognitive psychology, and neo-Darwinism to argue that there are no objective aspects in music. Pointing out fundamental flaws in the ability of a computer to emulate the workings of the brain through Artificial Intelligence programming, he addresses cultural issues concerning the survival of computer music.