In this article, the author discusses the theoretical and practical means by which models of music composition can be implemented in a computer system through the use of generative algorithms. This process seeks to create a system whereby computers can be used by composers not simply as tools, but as collaborative partners in the actual creative process of composition.
Generative Processes in Algorithmic Composition: Chaos and Music
Harley, James
1994
Leonardo 24(1): 23-29.
Language: English