This term designates the work of someone who is involved with an interdisciplinary artwork in which the intention is holistic, namely, that the impact of the work is greater than the sum of its constituent parts. In other words, a sound designer normally makes a sound organisation for a specific interdisciplinary work in close collaboration with those representing the other art form(s). The sound organisation is most likely not an autonomous composition.

Ce terme désigne toute œuvre d'un artiste impliqué dans un travail interdisciplinaire dans lequel l'objectif est holistique, à savoir que l'impact de l'œuvre dans son ensemble est plus important que la somme de ses composants. En d'autres mots un designer sonore conçoit une construction sonore pour une œuvre spécifique interdisciplinaire en étroite relation avec ceux qui représentent les autres formes d'art. De plus, cette construction sonore n'est pas susceptible d'être une composition autonome.

Il termine indica il lavoro di un artista implicato in un'opera d'arte interdisciplinare nella quale l'intenzione è olistica: l'impatto dell'opera nel suo insieme è più importante della somma delle sue componenti. In antre parole, un sound designer concepisce una costruzione sonora in stretta relazione con ciò che rappresentano le altre forme d'arte. Una tale costruzione sonora non è suscettibile di essere considerata come composizione autonoma.

This term designates the work of someone who is involved with an interdisciplinary artwork in which the intention is holistic, namely, that the impact of the work is greater than the sum of its constituent parts. In other words, a sound designer normally makes a sound organisation for a specific interdisciplinary work in close collaboration with those representing the other art form(s). The sound organisation is most likely not an autonomous composition.

Este término se usa para denominar el trabajo de alguien que participa en la creación de una obra de arte interdisciplinaria con una intención holística, o sea, en la que el impacto de la obra es mayor al de la suma de sus partes. En otras palabras, un diseñador de sonido normalmente organiza el material sonoro para una obra interdisciplinaria específica en colaboración cercana con quienes representen a las otras formas de arte. Esta organización sonora muy probablemente no sea una composición autónoma.