The author explains a set of techniques aimed at manipulating highly articulated material. They may be used as sources, modulators, or classes broken up into subclasses. Vaggione presents sound examples from his works, MYR-S for cello and tape (1996) and Frayages for tape (1997).
Morphological Transformations Though Analysis and Resynthesis
Analysis in Electroacoustic Music. Bourges Academy. Bourges: Mnemosyne, 386-387.