In this article, the author discusses the extent to which time can be considered a poetic element in electroacoustic music. He discusses how listeners are sensitive to the temporal narrative of a work and that this allows the composer to shape the listeners perception of musical pace through the creation of virtual time within the work.
Reflections on the Poetics of Time in Electoacoustic Music
D'Escriván, Julio
1989
Contemporary Music Review 3: 197-201.
Language: English