Access (to Electroacoustic Music)

This header includes items, as appropriate, drawing upon music education and pedagogy, music appreciation, dramaturgy, sociological and institutional factors, publication, archiving, dissemination, music perception and cognition, and performance practice and presentation.

Accesso alla – Accessibilità della Musica Elettroacustica

Questa categoria include elementi che vanno dalla cultura musicale alla didattica musicale elettroacustica, dalla comprensione della musica alla drammaturgia, dai fattori sociologici e istituzionali, alla pubblicazione e alla diffusione, dalla percezione e cognizione della musica, alle pratiche esecutive alle tecniche di presentazione della musica elettroacustica (Fonte: Leigh Landy, Understanding the Art of Sound Organization, MIT Press, 2007).

Acceso (a la Música Electroacústica)

Esta entrada incluye una variedad de ítems que pueden ponerse en juego, según el caso, tales como: educación y pedagogía musical, apreciación musical, dramaturgia, factores institucionales y sociológicos, publicación, archivo, difusión, percepción y cognición musical, y prácticas de interpretación y presentación.


Chadabe J. (1997) The Electronic Music Foundation
Chadabe J. (2004) Look Around and Get Engaged
Coenen A. (1997) NEAR - The Netherlands Electro-Acoustic Repertoire Centre
Cole B. (1996) MIDI and Communality
Donin N. (2004) Towards Organised Listening: Some aspects of the ‘Signed Listening' project, Ircam
Endrich A. (1997) Composers' Desktop Project: A musical imperative
Landy L. (1988) How Often Have you Seen Your Compositions Performed? A Plea for More Audio-visual Collaborations in Experimental Music
Landy L. (1990) Is More than Three Decades of Computer Music Reaching the Public It Deserves?
Landy L. (1991) What's the Matter with Today's Experimental Music: Organized Sound too Rarely Heard
Landy L. (1994) Experimental Music Notebooks
Landy L. (1994) Composition and Performance in the 1990s.
Landy L. (1994) ‘The Something to Hold on to Factor' in Electroacoustic Timbral Composition
Landy L. (1995) Computer-Musik ein guter Grund, zu Hause zu bleiben? Ja und nein
Landy L. (1998) L'espace divisé vs. l'espace unifié (la separation est-elle en train de disparaître?)
Landy L. (1999) Heightening Access and Cohesion within the Worlds of Electroacoustic Music: The Promotion of Triangulation in Creativity, Development and Scholarship
Landy L., Jamieson E. (2000) Devising Dance and Music: Idée Fixe - Experimental Sound and Movement Theatre
Landy L. (2001) Measuring Intention against Reception in Electroacoustic Music: a new opportunity for analysis
Landy L. (2002) The Emancipation of Sound in that Box We Call a Theatre
Landy L., Jamieson E., Ng K. (2003) In Transit or Realising One's Aesthetic when the Technology Finally Catches Up
Landy L. (2003) Voulez-vous changer votre paradigme avec moi ce soir?
Landy L. (2006) The Intention/Reception Project
Landy L. (2007) Understanding the Art of Sound Organization
Landy L. (2007) La musique des sons/The Music of Sounds
Milicevic M. (2001) Cyberspace Memes
Mountain R. (2004) Marketing Strategies for Electroacoustics and Computer Music
Rebelo P. (2003) Performing Space
Schedel M. A. (2004) Alternative Venues for Computer Music: SoundGalleryLiving RoomARTSHIP