Multimedia

Art work involving the collaboration of at least two art forms. The term is also used in the world of new media, e.g., CD-ROM and DVD developments.

Multimédia/Intermédia

Œuvre d'art nécessitant la collaboration d'au moins deux formes d'art. Ce terme est également utilisé dans l'univers des nouveaux médias comme le développement de CD-ROM et de DVD.

Multimedia

Opera d'arte che unisce almeno due media (o forme di comunicazione) in un contesto artistico. Il termine è ugualmente utilizzato nel mondo dei nuovi media.

Multimedia/Intermedia

Art work involving the collaboration of at least two art forms. The term is also used in the world of new media, e.g., CD-ROM and DVD developments.

Multimedia/Intermedia

Obra artística que involucra la colaboración entre, por lo menos, dos formas de arte. El término es también usado en el ámbito de los nuevos medios (new media), por ejemplo, para desarrollos en DVD y CD-ROM.

References

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Alves B. (2005) Digital Harmony of Sound and Light
Appleton J. H., Buxton W., Ferreyra B., Küpper L., Pignon P., Menard P., Aharonian C., Goethals L., Hanson S., Clozier C., Savouret A., Beyls P., Boeswillwald P., Nilson L., Rudnik E., Kotonski W., Chiarucci H. (1975) La musique électroacoustique en 5 thèmes
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Bianciardi D., Ulyate R. (2001) The Interactive Dance Club: Avoiding Chaos in a Multi-Participant Environment
Bonin V., Heimbecker S. (2006) Interview with Steve Heimbecker
Bridoux-Michel S. (2004) Musique, architecture, un projet multimédia: le Pavillon Philips de l'Exposion internationale de 1958
Burns K. H. (1997) An Emerging Digital Community: The CD-ROM artists
Burtner M. (2005) Ecoacoustic and Shamanic Technologies for Multimedia Composition and Performance
Capasso A., Keller D. (2000) Social and Perceptual Processes in the Installation The Trade
Capasso A., Keller D. (2006) New concepts and techniques in eco-composition
Chadabe J. (1999) The Performer is Us
Chion M. (1982) La musique électroacoustique
Cook N. (1998) Analysing Musical Multimedia
Couprie P. (2004) La place de l'informatique et du multimédia dans l'analyse des musiques électroacoustiques
Dahlstedt P. (2001) A MutaSynth in Parameter Space: Interactive composition through evolution
Dannenberg R. B. (2005) Interactive Visual Music: A Personal Perspective
Dean R. T., Worrall D., Smith H., Whitelaw M. (2006) The Mirage of Real-Time Algorithmic Synaesthesia: Some Compositional Mechanisms and Research Agendas in Computer Music and Sonification
Dorin A. (2001) Generative Processes in the Electronic Arts
Goto S. (2000) Virtual Musical Instruments: Technological Aspects and Interactive Performance Issues
Gray D. A. P. (2004) David Tudor in the Late 1980s: Understanding a Secret Voice
Grimley D. (2005) Hidden Places: Hyper-realism in Björk’s Vespertine and Dancer in the Dark
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Hahn D. (2002) Creating the Soundscape for Zagreb Everywhere
Hannan M. (2006) Intermedia Collaboration for The Flood
Harley J. (2002) The Electroacoustic Music of Iannis Xenakis
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Harris Y. (2006) Inside-out instrument
Helmuth M. (2005) Virtual musical performance and improvisation on Internet2
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Landy L., Jamieson E., Ng K. (2003) In Transit or Realising One's Aesthetic when the Technology Finally Catches Up
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Laubier S. d. (2000) The Meta-Instrument. How the project started
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Lussac O. (1998) Peindre par les noms, peindre par les sons
Lyons A. D. (2001) Ian Fredericks in Interview: Ideas of an Australian spatial synthesis and mixed media innovator
Machover T. (1986) A Stubborn Search for Artistic Unity
McCombe C. (2006) Videomusicvideo - Composing across Media
Menard P. (1991) Le projet de Vancouver
Merrison B., Orton R., Hunt A., Kirk R. (1998) A Generic Model for Compositional Approaches to Audiovisual Media
Monahan G. (2003) The Amplified Touring Sound Installation
Mountain R. (2003) Creating and Contributing. The Expensive Spirit of Marcelle Deschênes
Mountain R. (2004) Marcelle Deschênes
Mumma G. (1975) Live-Electronic Music
Myatt T. (2002) Strategies for Interaction in Construction 3
Oliverio J., Pair J. (1996) Design and Implementation of a Multimedia Opera
Packer R. (2005) Composing with Media: Zero in Time and Space
Pavón Sarrelangue R. (1981) La Electrónica en la Música ... y en el Arte (Electronics in Music ... and the Arts)
Perloff N. (2004) Hearing Spaces: David Tudor's Collaboration on Sea Tails
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Povall R. (1996) Adding Video into the (Real)time Domain
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Reddell T. (2003) Laptopia: The Spatial Poetics of Networked Laptop Performance
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Rudi J. (1998) Computer Music Animations
Rudi J. (2005) Computer Music Video: A Composer's Perspective
Rudy P. (2001) Separation Anxiety: Metaphoric transmutations from a paradoxical biological instrument, or: What is a cactus doing in our concert hall?
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Siegel W. (1999) Two Compositions for Interactive Dance
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Velasco D. (2000) Island Landscape: Following in Humboldt's Footsteps through the Acoustic Spaces of the Tropics
Viola B. (2004) David Tudor: The Delicate Art of Falling
Visell Y. (2004) Spontaneous Organisation, Pattern Models, and Music
Watts C. (2004) Mixing Things Up: Collaboration, converging disciplines, and the music curriculum
Weeter J., Moorefield V. (2004) The Lucid Dream Ensemble: A laboratory of discovery in the age of convergence
Weidenaar R. (2002) Composing with the Soundscape of Jones Street
Werner H. U. (2002) MetaSon #5 Skruv Stockholm: Turning schizophonic sound into audiovirtual image
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Zazeela M., Young L. M. (1971) Dream House
Zazeela M., Young L. M. (1971) La Monte Young
Zvonar R. (2005) A History of Spatial Music