The effect produced by creating (and sometimes increasing), during playback, a gap of time between two copies of one recorded item. When the difference is small the effect is close to that of a sweeping filter. Augmenting the gap will lead to panoramic motions and further to echoes. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.)
Phase-shifting
Phase-shifting
Effet produit en ajoutant (ou parfois en augmentant) un intervalle de temps pendant la lecture entre deux copies d'un même élément enregistré. Lorsque l'intervalle de temps est petit, l'effet résultant est proche de celui d'un balayage de filtre. En augmentant cet intervalle, on obtient des mouvements de panoramique, voire des échos. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. Thèse de doctorat, Université d'East Anglia.)
Phase-shifting (Spostamento di Fase)
Effetto prodotto aggiungendo e talvolta aumentando un intervallo di tempo durante la lettura di due copie dello stesso elemento musicale registrato. Quando la differenza è piccola l'effetto prodotto è quello di uno sweeping filter (spazzolata di filtri). All'aumentare dell'intervallo temporale si otterranno movimenti panoramici, e echi (Fonte - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.).
Phasen-Verschiebung
The effect produced by creating (and sometimes increasing), during playback, a gap of time between two copies of one recorded item. When the difference is small the effect is close to that of a sweeping filter. Augmenting the gap will lead to panoramic motions and further to echoes. (Source - Rodolfo Caesar (1992). The Composition of Electroacoustic Music. PhD Thesis, University of East Anglia.)
Phase-shifting (Corrimiento de Fase)
El efecto producido al crear (y a veces aumentar), durante la reproducción, un intervalo temporal entre dos copias de una misma grabación. Cuando la diferencia es pequeña el efecto es cercano al del barrido de un filtro. Al aumentar el intervalo se producirán movimientos panorámicos, o si se amplían aún más, ecos.
(Fuente: Rodolfo Caesar (1992). The Composition of Electroacoustic Music. Tesis de doctorado, University of East Anglia)