In this chapter, the author presents a detailed structural, poietic (production-based) analysis of Karlheinz Stockhausen's, Telemusik (1966). He is particularly interested in investigating the role of serialism in Stockhausen's frame of thinking. Also included is an extract of a 1968 interview with Stockhausen in which he discusses the circumstances surrounding the origin of Telemusik and some of his philosophical, aesthetic, and technical ideas.
Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik
Kohl, Jerome
2002
Electroacoustic Music: Analytical Perspectives. Westport: Greenwood, 91-118.
Language: English