In this brief paper, the author argues that in order to further our understanding of the relationship between music and technology we must avoid a perspective that leads to a schism between traditional music (the result of a disciplined human expression) and computer music (whose outcome is simply technologically determined). He contextualises his argument through the concept of the digital and the tactile suggested by Deleuze.
The Beast's Glove: The Tactile and the Digital in Computer Music
Richard, Dominique M.
1997
International Computer Music Conference : 149-151.
Language: English