Sound Production and Manipulation [SPM]
This major header in the Subject Index consists of relevant means employed in the sonic production of electroacoustic music.
- Abstract-shaping
- Amplification
- Composed Space
- Distortion
- Effect
- Electroacoustic Devices
- Electroacoustic Instruments
- Faktura
- Mixing
- Recording
- Remix
- Remixing
- Resynthesis Techniques
- Sampling
- Scratching
- Sequencing
- Signal Processing
-
Sound Shaping
- ADSR [Attack, Decay, Sustain, Release]
- Brassage
- Chorusing
- Compression
- Constructed Continuation
- Constructive Distortion
- Convolution
- Delay
- Ducking
- Echo
- Editing
- Envelope
- Envelope Following
- Envelope Generation
- Equalisation
- Expansion
- Fader Gesture
- Feedback
- Filter
- Flanging
- Freezing
- Gating
- Gating and Ducking
- Harmonising
- Limiting
- Loop
- Modulation
- Morphing
- Morphology
- Phase-shifting
- Phasing
- Pitch-shifting
- Plug-in
- Reverberation
- Reverse
- Sample and Hold
- Scrubbing [Tape scrubbing]
- Sound Transformation
- Spectral Shaping
- Spectral Thickening
- Strong Action
- Tape Scrubbing
- Temporal Shaping
- Time-compression
- Time-scaling
- Time-stretching
- Transfer Function
- Transposition
- Varispeed
- Vocoding
- Sound Source
- Synthesis Techniques
-
Synthesis and Resynthesis Techniques
- Additive Synthesis
- Cross-synthesis
- Diphone Synthesis
- FOF
- Frequency Modulation Synthesis
- Granular Resynthesis
- Granular Synthesis
- Granular Synthesis and Resynthesis
- Graphic Synthesis
- Hybrid Synthesis
- Klanglomeration
- Linear Predictive Coding
- Oscillator
- Phase Vocoder
- Physical Modelling
- Pulse-train
- Real-time
- Schwellenreiten
- Speech Synthesis
- Subtractive Synthesis
- Synthrumentation
- Visual Representation
- Waveset
- Waveset Distortion
- Waveshaping
- Wavetable