The author explores the role of memory in the listener's perception of electroacoustic music. Through 14 examples of works, he explains how the perception canchange with time and why the perception of the composer is totally different from that of the listener.
Time Regained
Emmerson, Simon
2001
Time in Electroacoustic Music. Bourges Academy. Bourges: Mnemosyne, 84-86.
Language: English